ELLEN HARTLA FAULL, Professor Emeritus of The Juilliard School and a leading soprano at New York City Opera for over 30 years, passed away on December 2, 2008 in Vancouver, WA.

Ellen Faull's contribution to the field as artist, teacher, mentor and friend to more than a generation of singers and voice teachers cannot be overstated. Her teaching and her memory remain with us as a constant source of inspiration and a standard to which to aspire.

Masterclass Faculty
Ellen Faull Masterclass Series
Edith Bers's students perform with major opera companies, orchestras, and festivals throughout the world, including the Metropolitan Opera, New York City Opera, and the opera companies of Santa Fe, Philadelphia, San Francisco, Glimmerglass, Wolftrap, Deutsche Oper Berlin, Komishe Oper Berlin, Bordeaux, Canadian Opera Company, Glyndebourne, Hamburg, Paris, Vienna Staatsoper, Frankfurt, Munich, Zurich, Saito Kinen Festival, Ravinia Festival, and numerous Metropolitan Opera HD performances. Her students have won the Queen Elisabeth International Music Competition, Opera Index, Licia Albanese-Puccini Foundation, Young Concert Artists, Joy in Singing, Giulio Gari, Gerda Lissner, and were finalists in the Metropolitan Opera National Council Grand Finals and Francisco Vinas International Singing Competition; they've also won the Richard Tucker Award, Richard Tucker Career Grants, Sullivan Grants, the Beverly Sills Award, Guilio Gari, Gerda Lissner, and Richard Gold awards, among others

Her own performing career has spanned opera, recital, oratorio and orchestra appearances in the U.S. and abroad. Ms.Bers has given master classes for the Symposium on the Care of the Professional Voice, Aspen Music Festival, Metropolitan Opera National Council, Queen Elisabeth International Music Competition, Juilliard-Hong Kong (Hong Kong Academy for Performing Arts), and the Korean Broadcasting System. She has been an adjudicator for the Metropolitan Opera National Council Auditions, Queen Elisabeth International Music Competition (Brussels), Montreal International Music Competition in Voice, Concert Artists Guild. Eaculty affiliations include The Juilliard School, Manhattan School of Music, Metropolitan Opera Lindemann Young Artists Development Program, Curtis Institute of Music and Bard College Conservatory Graduate Program in Vocal Arts.
Born and educated in Germany, Marianne Barrett pursued voice studies at the Staatliche Hochschule für Musik in Munich, German and English literature at the Ludwig-Maximilians-Universität, Munich. After immigrating to the United States, Ms.Barrett lived in Albuquerque and Santa Fe where she taught at the University of New Mexico, sang in recitals and oratorios, and performed many mezzo roles with the Albuquerque Opera Theater. She was the founder of the UNM German summer school in Taos and acted as co-director and language coordinator for many years. Since coming to New York, she has taught German at Columbia University and Hunter College, German diction at Mannes College, and has coached numerous full-scale opera productions and Lied recitals for music schools and local companies in the area. Marianne Barrett's professional credits include language preparation for Metropolitan Opera productions (Der Ring des Nibelungen, Die Zauberflöte, Die Entführung aus dem Serail, Ariadne auf Naxos) and for the Santa Fe Opera (Arabella, Zauberflöte, Salome, Daphne, Wozzek), where an important part of her work is with young artists in the apprentice program. Ms. Barrett returns to Santa Fe Opera in 2014 to prepare Fidelio. Currently on leave from her many years of teaching at Manhattan School of Music, Marianne Barrett is a member of the coaching staff of the Metropolitan Opera and is a language instructor and diction coach at The Juilliard School.
Dr. Corradina Caporello teaches on the faculties of The Juilliard School and The Curtis Institute of Music. She is a frequent guest coach for the Houston Grand Opera and has coached Italian operas in the United States, Canada, Italy, Israel and China. Dr. Caporello has taught master classes in Taiwan, Japan and Mexico, as well as in the United States. In recent seasons, she has prepared operas for both Curtis and Juilliard, including Bellini's I Capuleti e I Montecchi (for Curtis); Juilliard School operas include Gianni Schicchi, Handel's Ariodante, Francesco Cavalli's 1644 opera, La Doriclea; also Le Nozze di Figaro, Falstaff, Don Giovanni, La Finta Giardiniera, as well as a Rossini double-bill, La cambiale di matrimonio and La scala di seta. In 2009, Dr. Caporello helped prepare Natalie Dessay for her first La Traviata with The Santa Fe Opera. She continues to return to Santa Fe each summer to coach their Italian operas, including Madama Butterfly, La Bohème and Vivaldi's Griselda.
Pianist Margo Garrett is well-known to audiences for her frequent performances in chamber, sonata and vocal recitals. The large roster of internationally-known artists with whom she has long performing relationships includes sopranos Kathleen Battle, Barbara Bonney, Elizabeth Futral, Beverly Hoch, the late Judith Raskin, Lucy Shelton, Dawn Upshaw, Benita Valente, mezzo Shirley Close, tenor Anthony Dean Griffey, violinists Jaime Laredo and Daniel Phillips, violist Paul Neubauer, and cellists Sharon Robinson, Matt Haimowitz, and the late Stephen Kates. Her recordings can be found on Albany, CRI, Deutsche Grammophon (1992 Grammy for Best Vocal Recital), Dorian, Musical Heritage Society, Nonesuch, and Sony Classical. Miss Garrett is a dedicated leader among educators of collaborative pianists and is a member of The Juilliard School Collaborative Piano Faculty, which she headed from 1985 to 1992. She has also formerly headed collaborative programs at New England Conservatory and Westminster Choir College. At the Tanglewood Music Center she directed the vocal fellowship program for the last 6 of her 19 years of teaching there and oversaw the Center's return, after many years, to opera in the 50th Anniversary performances of Britten's Peter Grimes, whose U.S. premiere was at Tanglewood. There she also worked closely with a large international roster of composers in preparation for performances of their music in the annual week-long Festival of Contemporary Music. As Co-Director with her teacher and mentor, the late Samuel Sanders, of the Cape and Islands Music Festival, Miss Garrett was awarded the American Society of Composers and Publishers (ASCAP) Most Creative Programming Award. From 1999 through 2006, Miss Garrett was the Faculty Chair of The Steans Institute for Young Artist's vocal and chamber music programs at Chicago Symphony's Ravinia Festival, where she commissioned major works by leading American composers including Ned Rorem and Jake Heggie. In recent seasons Miss Garrett has been in residence at the Hochschule für Musik in Munich, Music Academy of the West, Aspen Music Festival, Songfest and VISI.
Charles Hamlen (In Memoriam) is one of the most respected professionals in the world of arts management and administration. A 1965 graduate of Harvard College, where he majored in French Language and Literature, Hamlen began his professional life as a high school French teacher. After 11 years in the classroom, with an interim year of graduate study at the Sorbonne in Paris, he moved in 1977 to New York to pursue artist management, founding Hamlen/Landau Management with his business partner Edna Landau in 1979. Five years later, the company was acquired by the International Management Group, becoming IMG Artists, where he looked after the careers of artists including violinists Joshua Bell, Leila Josefowicz and Itzhak Perlman; the Emerson String Quartet; and pianists Stephen Hough, Evgeny Kissin, Jean-Yves Thibaudet and André Watts. In 1993, Hamlen left IMG Artists to found Classical Action: Performing Arts Against AIDS. After 16 years at the helm of Classical Action, he returned to IMG Artists where he served as chairman until 2012. He is currently Artistic Advisor for New York's Orchestra of St. Luke’s. Charles Hamlen’s numerous honors include the 1998 Jerry Willis Award from the Western Arts Alliance, the 2000 Eos Orchestra’s Michael Palm Award, the International Society for the Performing Arts’ 2004 'Angel Award' and the Licia Albanese-Puccini Foundation Lifetime Achievement Award. He was named a 'Chevalier dans l’Ordre des Arts et des Lettres' by the French government in 2004.
Kathryn LaBouff's extensive credits as an English diction coach include The Metropolitan Opera, Houston Grand Opera, New York City Opera, Washington National Opera, Glimmerglass Opera, Merola Program of San Francisco Opera, Opera Theater of St. Louis, Lincoln Center Festival, Opera Festival of New Jersey, Canadian Opera Company, Vancouver Opera, and Opera Lyra Ottawa, among others. Dr. LaBouff has prepared premieres of John Harbison's The Great Gatsby and Tobias Picker's An American Tragedy for The Metropolitan Opera; Carlisle Floyd's Cold Sassy Tree, Mark Adamo's Little Women, Lysistrata and André Previn's Brief Encounter for Houston Grand Opera; Central Park for Glimmerglass Opera and Nico Muhly's Dark Sisters for Gotham Chamber Opera. She has given master classes for Houston Grand Opera, Vancouver Opera Ensemble and Opera Theater of St. Louis. Dr. LaBouff teaches at Opera on the Avalon, The Banff Centre and Dolora Zajick's Institute for Young Dramatic Voices; she is currently on the faculties of The Juilliard School and the Manhattan School of Music.
An internationally renowned recitalist, Marlena Malas graduated from the voice program of The Curtis Institute of Music in 1960. She has performed with the Metropolitan Opera Studio and has been affiliated with opera companies in New York City; Santa Fe; Boston; Miami; Washington, D.C.; and Milwaukee. She has been a soloist with the New York Philharmonic and the Philadelphia Orchestra and has appeared at the Marlboro and Casals festivals. Ms. Malas is chair of the voice department at the Chautauqua Institution and a faculty member of the Curtis Institute of Music, The Juilliard School and Manhattan School of Music. She has given master classes in connection with the Metropolitan Opera and at New National Theatre in Tokyo, Pittsburgh Opera young artists program, Boston University, Blossom Music Festival, San Francisco Opera Center, Santa Fe Opera, European Center for Opera and Vocal Arts in Brussels, Israel Vocal Arts Institute in Tel Aviv, and (with Joan Sutherland and Luigi Alva) Australian Opera in Sydney. She is a consultant to the Canadian Opera Center; Fletcher Opera Institute, where she has given master classes; and Washington Opera Young Artist Program, where she is also a teacher.
JoAnne Olian is Curator Emeritus of the costume collection of the Museum of the City of New York, where she served from 1974 until 1994. During her tenure at the Museum of the City of New York, Ms. Olian conceived and mounted more than a dozen costume exhibitions, including Ladies' Mile: Emporia and Entertainments and The House of Worth: The Gilded Age 1860-1918. A frequent guest curator at the Nassau County Museum of Art, Ms. Olian mounted Art and Fashion from Marie Antoinette to Jacqueline Kennedy and Iris Apfel: Rare Bird of Fashion. She has lectured on the history of costume at the Los Angeles County Museum of Art, the Museum of Fine Arts in Houston, the National Museum of American History in Washington, D.C., and the Ringling Museum in Sarasota. She has been visiting lecturer for the Parsons School of Design in Paris and has presented papers before the International Council of Museums in Budapest, London Mexico City and New York. Ms. Olian is the author of sixteen books on the subject of fashion for Dover Publications. Among her titles are Everyday Fashions of the Forties from Sears, Authentic French Fashions of the Twenties from L'Art et La Mode, Children's Fashion, 1860-1912, Victorian and Edwardian Fashions from La Mode Illustrée 1860-1914 and Montgomery Ward Fashions, 1920's.
Founder and Managing Director of Étude Arts, Bill Palant manages some of the world’s most acclaimed classical artists. His clients appear at the world’s greatest performing arts institutions and many have been recorded by the most distinguished media labels in the industry. Before establishing Étude Arts in 2015, Bill Palant was Senior Vice President at IMG Artists, where he served for nearly nineteen years. He also has worked for the Metropolitan Opera’s Rehearsal Department and for the Boston Symphony Orchestra at Tanglewood. He was graduated from Oberlin College with a degree in psychology.
Cristina Stanescu was born in Craiova, Romania where she began piano studies at the age of 6. She has appeared both as a soloist and as a collaborative pianist in concerts throughout Eastern Europe and the United States. As a vocal coach and recitalist, she has worked with such artists as Stephanie Blythe, Anthony Griffey, Angelika Kirchschlager, Bejun Mehta, Anna Moffo, Teresa Santiago, Carlo Scibelli, Renata Scotto, Lucy Shelton, Veronica Villaroel, Jon Villars and Rachel Watkins; conductors such as Louis Langrée, Gerard Schwartz, Kurt Masur and Sir Neville Marriner; directors such as Colin Graham, Jonathan Miller and Peter Sellars. A passionate teacher of art song as well as opera, Ms. Stanescu has taught at Yale University, New York University, and the Bucharest Academy of Music (Romania). Presently, she is on the faculty at the Manhattan School of Music and the Mannes College of Music. She is the founding director of the Collaborative Piano Program at Mannes, which produced students now active in the collaborative field at the Metropolitan Opera and on Broadway. She has had professional affiliations with the New York Philharmonic, the Mostly Mozart Festival at Lincoln Center, Renata Scotto Opera Academy, Juilliard Opera Center, and was an assistant conductor for seven years with the Lyric Theatre of Craiova. Ms. Stanescu holds a Masters degree and Doctorate in Accompaniment from the Juilliard School, with a dissertation entitled Preparing the role of Oedipe in the opera Oedipe by George Enescu; a vocal coach's work. She also holds a Masters degree in Piano performance from the Bucharest Academy of Music (Romania).
A respected and sought-after voice teacher, Dr. Robert C. White Jr. is the author of several articles on voice pedagogy and vocal repertory for The Journal of Voice, The Music Educators Journal, and The American Music Teacher; co-author (with Ruth Lakeway) of Italian Art Song, a study of contemporary Italian song. He holds a B.M. from Susquehanna University in choral and vocal music education, and master's and doctoral degrees from Columbia University in voice pedagogy. Dr. White has performed in recitals, oratorio and chamber music performances in the New York metropolitan area and given lecture-recitals and master classes throughout the United States, Canada, and Germany.

Formerly Professor of Music for 31 years at CUNY-Queens College and the Graduate Center, Dr. White has taught at The Juilliard School since 2006. He has also taught at Mannes College of Music, N.Y.U., and with the Lindemann Young Artist Development Program of the Metropolitan Opera. His students have performed at the Metropolitan Opera, New York City Opera, Chicago Lyric Opera, San Francisco Opera, Houston Grand Opera, Opéra National de Paris-Bastille, Covent Garden, La Scala, Staatsoper and Deutsche Oper, and many other regional American and European theaters and concert halls. His students have won first prizes in major American and European competitions, including the Cardiff International Singer of the Year Competition, George London Foundation, Young Concert Artist Guild Competitions, among many others.
Pianist Brian Zeger has built an important career not only as a pianist, appearing in distinguished concert venues throughout the United States and Europe, but also as an ensemble performer par excellence, radio broadcaster, artistic administrator and educator. In a career spanning more than two decades, Mr. Zeger has enjoyed collaborations with many of the world's top artists including including Marilyn Horne, Deborah Voigt, Susan Graham, René Pape, Dame Kiri Te Kanawa, Bryn Terfel and Joyce DiDonato. Recent and upcoming engagements include recitals with Deborah Voigt, René Pape, Anna Netrebko, Bryn Terfel, Dame Kiri Te Kanawa, Adrianne Pieczonka and Piotr Beczala.

In addition to a distinguished chamber and concert career, Mr. Zeger also serves as Artistic Director of the Vocal Arts Department at The Juilliard School and the Executive Director of the Metropolitan Opera Lindemann Young Artists Development Program, and recently completed a ten-year tenure as the director of the vocal program at the Steans Institute at the Ravinia Festival. He has been on the faculties of the Music Academy of the West in Santa Barbara, the Chautauqua Institute, the Mannes College of Music and the Peabody Conservatory and has given master classes for numerous institutions, including The Guildhall School of Music in London, Cincinnati College-Conservatory of Music, Tanglewood Music Center, and the Marilyn Horne Foundation.

Some of his critical essays and other writings have appeared in Opera News, The Yale Review and Chamber Music magazine. He has appeared frequently on the Metropolitan Opera radio broadcasts both on the opera quiz and as intermission host and performer. He has the distinction of creating, narrating and performing in five intermission features devoted to art song, a first in the long history of the Met broadcasts. He has adjudicated the Metropolitan Opera National Council Auditions, the Concert Artists Guild auditions and the Walter W. Naumberg Vocal Competition. His recordings may be heard on the EMI Classics, New World, Naxos and Koch record labels, his most recent recording being Portraits and Elegies with violinist Frank Almond. Born in upstate New York, Mr. Zeger is now a resident of Manhattan. He holds a bachelor's degree in English Literature from Harvard College, a master's degree from The Juilliard School and a doctorate from the Manhattan School of Music. His important teachers have included Morris Borenstein, Sascha Gorodnitzki and Nina Svetlanova.

Core Faculty
Julius Abrahams is a pianist of diverse interests whose heart is in opera. Since finishing postgraduate studies in collaborative piano with Margo Garrett and Jonathan Feldman at The Juilliard School in 2012, he has worked as staff pianist for The Juilliard School's Vocal Arts Institute. Julius Abrahams has been featured on WQXR (New York's classical music station) and has toured with violinist, Gil Morgenstern in his Reflection Series International in New York, North Carolina and Florida. As a song recitalist, Abrahams has performed Schubert's Winterreise and selections of Wolf's Mörike Lieder with the Brooklyn Art Song Society; most recently, he prepared and performed the contemporary chamber opera, Fallujah, by Tobin Stokes at the Kennedy Center as part of their World Stages International Theater Festival. From 2010-2013, Julius Abrahams worked as a vocal coach/pianist for Bel Canto at Caramoor and in 2014, he spent his first summer at Chautauqua Institution School of Music Voice Program as pianist and vocal coach. He returns to Chautauqua in June, 2015.  
Donna Gill, Co-Director and Coach
Pianist Donna Gill (an enthusiastic, transplanted, Canadian New Yorker!) has performed with singers and instrumentalists throughout the United States, Canada and Europe. Donna Gill holds a DMA in Collaborative Piano from the University of Minnesota, and completed further studies with Margo Garrett and Brian Zeger at The Juilliard School. Dr. Gill was a member of the coaching staff of the Juilliard Vocal Arts Department from 2002-2011. She is currently on faculty at the Esther Boyer College of Music and Dance of Temple University, where she is Music Director of Undergraduate Opera Workshops, teaches Graduate Diction and Vocal Repertoire classes and works with the collaborative pianists in the Accompanying Program. She has also taught diction at Manhattan School of Music, The Juilliard School and New York University. Donna Gill has been a member of the coaching staff at the Chautauqua Institution Summer School Voice program since 2003 and since 2009 has also served as Program Coordinator. Dr. Gill enjoys an active life as a freelance coach and performer in New York City and is an enthusiastic proponent of contemporary music.
Pianist Kanae Matsumoto, originally from Japan, has performed around the world both as soloist and collaborator with instrumentalists, singers, dancers and painters. Showtime Magazine has described her as an “outstanding pianist.... unfailingly crisp, warm and sensitive.” Her recent solo performances have included the Schumann Piano Concerto in San Diego and the Beethoven Piano Concerto No. 4 in Palm Springs. Kanae has appeared as a chamber musician in many venues, most notably the Walt Disney Concert Hall with the Los Angeles Philharmonic Chamber Music Society. Her CD “French Violin Sonatas,” recorded with violinist Jacques Israelievitch, was recently released on the Fleur de Son label. From 2006-13, Kanae was a member of the UCLA music faculty as collaborative pianist and teacher of piano and chamber music. Since 2006, she has been an instrumental accompanist and coach at the Chautauqua Institution School of Music; in 2016, she will also join the School of Music Voice Faculty at Chautauqua.

Kanae Matsumoto holds Master’s and Doctoral degrees in piano performance from UCLA. In 2014, she completed her Professional Studies Certificate in Vocal Accompanying at the Manhattan School of Music, where she is currently a staff accompanist and coach. Kanae has been a member of the CSNY coaching staff since 2014.
Jane Olian, Co-Director and Voice Teacher
Soprano Jane Olian, a graduate of Sarah Lawrence College and a passionate native New Yorker, has been heard in opera, recital and with orchestra throughout the United States, Canada, Italy and Mexico. She has taught on the faculties of Queens College, Mannes College of Music, New England Conservatory, Vassar College, Westminster Conservatory, Artescénica (Saltillo, MX) and New York University. Jane Olian currently teaches for the Juilliard School Evening Division and the Manhattan School of Music Precollege Division. Masterclasses include Minnesota Opera (Project Opera) and the Metropolitan Opera Guild (High School Vocalist Workshop Series). For more than 35 years, she has maintained a private studio of both promising young singers and working professionals. Her students perform with the Metropolitan and New York City Opera companies, as well as with international houses; on Broadway and on television, and include Tony, Emmy and Grammy award winners.